Now this is about as close to perfection as it gets. The colors. The angles. The beauty of humans and replicants alike, the transmersion... it almost makes me feel like transhumanism could be the right way after all.
If you've seen the original Blade Runner you'll know what kind of movie this is, and if not: prepare for long moments, brooding music, melancholy and false hope. A world of humans, and beings like humans, and the semblance of a sentience that lies between them... yet all within a world that is as far from its baseline as it can possibly be.
The atmosphere's both dystopian and... serene. A little utopia in a far gone world. I love the ambiance, the ominous soundtrack and the characters.
It is slow, but I like the slowness too as it's something I miss in modern movies - which often set a pace too fast for their own good, and it's also an interesting notion that in the future: life might move slower than it does today. As if progress becomes an old man stopping to catch his breath.
So far this world has seemed to be going the other way entirely, to the point where the future seems like a stressful and chaotic time. Maybe it's not all that bad. Maybe progress is less, not more. Even if the overall dystopia here shines with a greatness.
Not that I imagine this is anything like the real future might be like, transhumanistic future Gods forbid...
The actors are great too. Ryan Gosling, Ana de Armas (who really looks like Penélope Cruz), Sylvia Hoeks, Robin Wright and, nearing the end: Harrison Ford. Replicant he may be, but he does age, and so we add another nod among the infinite contemplations regarding what really makes us human.
And it's an inhumane world. Trees are gone. Rogue replicants farm protein. Statues of old are shown towering through a desert haze, just like neon Joy lingers in the city; giving a good time to the average Joe.
It's the kind of movie that makes you think. Or better yet: dream. Of better times. Of a future dystopia... that has the potential to grow better yet.
See the light at the end of the darkness. See the spark when her back arches. See the twists, and turns, and curves - they swerve, they fight, observe, close calls, old birds, no wings. Cold Earth. Who deserts first?
What starts as a simple search for a baby soon turns into something so grim and ready. I barely remember the old (just as the actual movie this takes place thirty years after the former - though I didn't see it quite that long ago), but I do think this one was a bit heavier. I'm positively surprised.
This seems like one of few sequels that really lives up to the franchise name, and especially in itself: it's something else.
rated 5/5: friggin awesome