Been a while since a movie hyped me up like this one! When the credits start rolling yeaaaah. I'm inspired! I feel higher. I'm enlightened. It's in my blood. It's all around. The world is sound. The plot seems shallow but still profound. Treading the new waves, looking to new days, you done made me proud. Dylan K. Narang.
It's the story of a young inventor with a troubled past, played by Hunter Doohan, who invents a machine that can hear sound waves of our past. And then he meets a girl. Katie Owsley.
Of course there's a bad guy too - nobody I recognize but they're all good. There's loss. There's a build. It feels a little simple sometimes - I wasn't a fan of the photographic way they interpreted the sound visually, slowed down as if photos instead of film - but at the same time that's a piece of the newness here. It stands out. The fights might've been anticlimactically non-existent, and the chases never involved cars or any other elaborate form of vehicle, but they did capture the desperation. Sometimes.
It's got that dystopian-like sci-fi synthy soundtrack too, but no soundtrack that takes over, which is almost odd considering the premise.
It's maybe not all compelling, not all entrancing - the stop by the police station seemed a little stupid, but I'm pretty close to being blown away by this one overall.
What a blast. A new one. An audial one at that.
rated 4.5/5: almost awesome
Have you noticed how cityscapes seem to be moving away from panoramic - sideway - views, to top-down and godlike ones?
I guess the filming methods have changed too though. From helicopters to drones. From filming from the side or front to straight downwards by default.
But it feels a bit strange like this. You don't see the view from a human perspective. The world comes across as an anthill of motion; no semblance to life as it is for real...